Sometime after
midnight, bioluminescence comes into full bloom. Flecks of
dinoflagellate-produced light flicker on the inky waves, disappearing as
quickly as they appear, like a magic trick, a wink, a blink of a great oceanic
eye. During my last dawn watch, I paused for a moment as force 4 winds blew in from
the southeast, sending whispers of stratocumulus clouds across the sky. A set
of steep stairs took me down into the red-lit charthouse, and I braced my legs
against the rolling ship, the handrails I helped re-tighten with the engineers
two weeks ago still solid under my grip.
It’s
strange how accustomed we’ve all become to this ship, to this place that is
both voyage and home, how quickly we’re getting used to six-hour watches
separated by twelve hours of sleeping, eating, and whatever else we can fit in.
Nothing stays still on this ship. Things spill, tip, and fall over all the
time. Bodies collide, sometimes with metal or wood, oftentimes with each other.
Our days
are marked by the time we wake and the time we go to sleep. Sometimes we close
our eyes and sink into our bunks when the sun is just rising and wake up at a
different latitude, rain pouring down on the quarterdeck. Another ITCZ squall. We
eat our meals on gimbaled tables and seem to know—most of the time—where to put
our elbows, a plate, a bowl of sloshing soup. There are days when we forget
where we are and it’s okay. We learn to patch up our wounds, let our bruises
heal, clean up our messes with multicolored microfiber towels from the closet.
And yet what
I find strangest of all is how everything at sea is at once a contradiction: beautiful
and hard, time suspended and time flowing, everything moving as water does,
inconstantly and infinitely.
Crossing
the Pacific, the ocean becomes a sound, a smell, a swell, a memory, a curse, a
tease, a song, a burning blue. It calls upon a system of inhuman time, cycles
of unknowable depths and immeasurable wonders, a pelagic mystery, an alien universe.
Over these past three weeks, the ocean has constituted, at least for me, both
journey and destination, beginning and closing, new and old patterns of who I
thought I was and am, all coursing over the pour of liquid distances.
The philosopher
Søren Kierkegaard once wrote that “Life can only be understood backwards, but
it must be lived forwards.” Whether or not Kierkegaard ever spent much time on
a tall ship like the Robert C Seamans, I’ve been coming back to this quote as I
realize how hard—and perhaps impossible—it is to reflect on an experience as
it’s happening. Instead, what we end up understanding about a time or
experience becomes understood afterwards, when connections coalesce from scattered
dots of observation and patterns of perception become a line, a circle, a spiral,
a shape. Certain moments, interactions, and encounters take a form and color as
intense and inconstant as the shifting sea.
So what
can one say?
I suppose
I could talk about the first time I dove into the coral reefs at Palmyra Atoll
with my lovely friend and research partner Jessie.
Beneath
the teal tropical waters, we swam through a world composed of streaks of
motion—triggerfish, tangs, blennies, sharks, mantas, and parrotfish chomping on
the corals. Jessie and I deployed three hydrophones across the coral reefs at
Palmyra for our bioacoustics project, recording over one-hundred and fifty-six
hours of sounds. Camille, our TA and project mentor, nearly wept as we huddled
around her laptop the next evening and passed the headphones around, listening to
a chorus of crepuscular fish calling into the coral midnight.

I suppose
I could also talk about how I’ve come to love the glow of a sunrise over open
ocean. Or how, during the few hours before twilight, breaking waves sound like
soft breaths punctuating the quiet night. Of course, among these moments of
beauty are the more difficult ones, too, like finding a way to make peace with
stubborn layers of sea and sweat on the skin, a persistent queasiness in the
stomach, a dull longing for loved ones on land. We take so much for granted
that only when some things are stripped away do we see how much they mean to
us.
A year
ago, I was working as a wooden boatbuilding apprentice in midcoast Maine. I
wore brown Carhartt overalls which became stained with varnish and emerald marine
paint. Despite hundreds of hours of working with boards of pine and cedar,
chiseling and restoring various sailboats, canoes, and dinghies, I never got to
see what ultimately became of them, where they ended up going, what they saw,
whose lives they intercepted.
I
certainly never imagined that I would be where I am today, writing to you from
a tall ship in the central Pacific Ocean. Did the makers of the RCS think about
all the students it would carry, all the places it would go? What kinds of
understanding it would bring forth?
The first
time I climbed aloft onto the mainmast, I found myself high above the birds
circling around the ship. I paused as I made my way to the top, looking down on
everyone below me moving between watches, between tasks, between moments. Everyone
on this ship, from the captain to steward to engineers to mates to scientists
to students, contributes in their own way to this voyage and experience. We are
each and all part of something greater than ourselves, moving forward, moving
with the rhythm of the sea.
In his
night orders to the evening and dawn watches, captain Greg writes a message
with instructions for the night, reminding us always to remain vigilant and alert.
Being vigilant and alert are critical to maintaining the safety of the ship, and
to these, I would also add remaining patient, brave, and above all, kind.
Our voyage
is mostly behind us, but there are still a few more precious, difficult days
ahead of us as we sail back to Honolulu. If life can only be understood
backwards, then it must be lived forwards, just as our ship propels itself forwards
in accordance with the winds and weather, invoking forces much more powerful
than our individual selves.
-Regina Kong